'Vivian' [Columbia Records]     Genre: R&B

Her musical stints began like most, during her earlier ages; playing the piano (age 8), singing, and writing (age 11). But, it was her definitive style that later lead her to her own career... after her work with Younique (at 15); Green set out to pursue her solo career, landing her singing back-up for Jill Scott (at 19). Inevitably, Columbia Records, known for smooth moves and a label full of talent, signed Vivian Green (in 2001) releasing her debut album, A Love Story (2002).

"My mission with the album was to tell a story of loves that I had, a lost love, a new love and just loving myself. I want someone to be moved by my story because I think we all go through the same things in everyday life and in our relationships," explained Green. With the career in tow, she’s also offered background vocals to other artists including Darius Rucker (Back to Then) & Kindred (Surrender to Love)... "I used to sing in these big bands when I was about 17, 18, 19," said Green, who was introduced to jazz at an early age by her mother. "I had to sing all these jazz standards and all these top 40 songs. All this stuff a normal [teenager] wouldn't know. The bandleaders were always impressed." Her first, a cathartic and beautifully symbolic hit, achieved position #14 on Billboard’s Top R&B/Hip-Hop Albums in 2002 and achieved RIAA Gold status in May 2003. Her debut album is extremely reflective self-symbolism, as listener’s loved the sound and style immediately and even those who discarded the new-comer, later became accustomed to appreciate her offering a variant difference in music.

Whether her style is considered plain-Jane R&B or a hypnotic addition to that whole… Neo-Soul thing - after 2 ½ years, Green has returned with her sophomore release, suitably titled, Vivian. The album is a continuation of the love story we were introduced to, but something’s changed… Green’s range is not only soothingly developed, but her individuality is compelling. “I don’t want anyone to think I’m heartbroken,” she confesses. “When I was writing my first album, there was a lot of sadness going on there, but this one is different. Even the breakup on this record is not sad… this is happy, it’s all good, I’m not on a rollercoaster.” With her own writing, co-production, and unique impression, the new release serves up a fresh blend of contemporary R&B, depicted on the album’s opening song, “Wish We Could go Back.“ A quick shuffled and driven Spanish sway is pressed into the backing of, "Mad," (a collaboration with producer, Scott Storch), while "Gotta Go, Gotta Leave (Tired)," the album’s single, is a thick-depth, but lightly colored ballad reintroducing, yet introducing the new Vivian Green. She takes us away from pangs of love and allows us to experience the start of what is obviously, a new beginning. “Frustrated,” a song of self-blame and misunderstanding, is backed with coursed guitars and paced violins; as Green’s heaving emotions are merged through every verse & chorus. Tuned with a solid, but laid back percussion, “Damn” tells an age old be together - fall apart story with a contemporary frequency. Offset, however amiable “Selfish” stakes a claim to independence, moving you into a lyrically weighted, lightly resonant ballad “Under My Skin;” totally revealing strength in Green’s acceptance and confidence from trial. “I Like It (But I Don’t Need It)” serves as Green’s single, sexy, & free track, promoting a focused, but fun-loving outlook, as “Sweet Memory (Beautifully Young)” is an airy medley, reflecting on highlighted memories of love. My favorite record on the album, “Perfect Decision” is a modern influence of the what if’s of friends and love, backed with deep strings, sharp keys, and interjecting a completely unique chorus delivery and appealing bridge. “All About Us” and “Sweet Thing” allow Vivian to create additional up-beat versatility to the R&B LP, with comforting arrangement & style. “I really tried to reinvent myself," she offers… “This album is more youthful and more fun and not so melancholy and jazz-oriented as the first one.” As critics across the board seem to be in promising support, the “reinvention” is a second dose, filled with an amazing new look and a melodically dexterous set. “Cursed,” a hidden track of a faithful dedication to lost love can be found on her accomplishing sophomore effort; furthering the impression of Green’s lyrical, vocal, and overall admirable genius. The album proves to be a versatile and vary-depth collection compared to her previous work… offering, even a more personal release, as she effortlessly reinvents herself, her music, and exceptional talents.

© Tionne 2005, All Rights Reserved

For more information, please visit: viviangreen.com