When it comes to music and a thick essence of sexuality, one of the names that should be on your list is Adina Howard. She’s one of the female artists in the 90’s that pushed the envelope for sexuality alongside the likes of Janet Jackson. Bold and in-your-face, Howard’s style has always been erotic, but easy and sensual. Born and raised in Grand Rapids, MI, as a child, she would tell everyone that she would “be something one day.” In 1995, Howard’s debut album Do You Wanna Ride made waves, gaining a gold status, featuring the platinum single “Freak Like Me.” Her sophomore set (1997), kept the beat with her “sultry” ballads and adding jazz garnishes, extending her reputation. She was able to be more involved in the second LP however, it was never released mainstream. With that aside, the hand-in-glove album represented Howard’s array of personality and featured a handful of collaborations upfront and behind the scenes. Beyond “Freak Like Me,” in 1998, “T-shirt & Panties” (co-written by Jamie Foxx & Billy Moss) is one of Howard’s most famous songs, featured on the “Woo” soundtrack (starring Jada Pinkette-Smith and Tommy Davidson). Its lullaby coursing production and straight-forward lyrics provided listeners with an inviting seduction to feel good about sitting around in your underwear. As time progressed, Howard would be featured on a few tracks here and there... such as a duet with feat. Somethin’ For the People called “Damned If I Do” (from the A Thin Line Between Love and Hate soundtrack), the upbeat ”For the Funk” (from the Sunset Park soundtrack), and the remake of “What’s Love Got to Do With It” with Warren G. (from the Supercop soundtrack). While within her success, aside from singing, she’s toyed with the ideas of living in countries like Europe or Japan, and even opening a homeless shelter. In the midst of her absence, she’s been on the road performing... and after no longer wanting to be in the industry, she was receiving so much acknowledgement and well-wishes from her fans, Howard was motivated to create her junior album, The Second Coming (Rufftown Records - April 6, 2004). Howard was the decision maker on the third rendition; an inevitable collection of lush and low-light grooves. As far as she is concerned, boundaries are the least of her worries and she appreciates the support from her family, friends, and fans. She admits, that in her music, stereotypes aren’t a big deal; she’s always going to come with surprises. She’s a “hard-to-explain,” complex woman, but is very much in-tune with herself, especially her sensuality. As it’s changed, many wondered if the high-vibe, sexual tones can stay with the sways of rhythm in the music industry… but her latest release proves that regardless, Howard is dedicated to what she knows and what she likes. Fans are very much on her side, giving positive feedback and looking forward to more of her work. Always projecting a flow of unapologetic display, Adina Howard will never live down her freaky persona, let alone, willingly walk away from exuding her emotions, thoughts, and personal style.

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